This innovative collection of essays offers exciting new research and thoughtful reflection on the subject of visual culture and its relationship to art history. Brings together innovative scholarship by major scholars. Engages with cross-cultural questions, asking if attention to visual culture is a western preoccupation. Draws on a wide range of cultures, locations and hist...(展开全部)

This fascinating examination of visual experience offers an explanation and assessment of the traditional means of analyzing visual culture. Most of our experience is visual--we obtain most of our information and knowledge through sight, whether from reading books and newspapers, from watching television, or from quickly glimpsing road signs. Many of our judgments and decisions...(展开全部)

"This [is a] staggeringly impressive, wonderfully well-designed book...it's a near-perfect overview of art history." --Sunday Times (Culture Magazine), 30th November 2008 The ultimate visual guide to paintings and sculpture from around the world From the earliest cave paintings to Damien Hirst bring a gallery of the world’s finest art into your home and learn everything you nee...(展开全部)

玛丽莲·斯托克斯塔德（著）： 教授、艺术史学家、策展人，曾任美国“高校艺术协会”（ College Art Association）主席、国际中世纪艺术中心主席，为斯潘塞艺术博物馆创始馆长，荣获美国女性艺术核心委员会（Women's Caucus for Art）终身成就奖、堪萨斯艺术委员会年度艺术教育家。《时代》杂志将她评为大学最受欢迎的100位女作家之一。 迈克尔·柯思伦（著）： 斯沃斯摩尔学院的艺术史教授，他曾任该院的美术系主任、中世纪研究协调员及人文中世纪、罗马艺术及建筑课程、美术通史课程等。 王春辰等（译）： 中央美术学院教授，博士生导师，中央美术学院美术馆副馆长，第55届威尼斯国际艺术双年展中国馆策展人，从事当代艺术与批评研究工作。

Colour, Art and Empire explores the entanglements of visual culture, enchanted technologies, waste, revolution, resistance and otherness. The materiality of colour offers a critical and timely force-field for approaching afresh debates on colonialism. This book analyses the formation of colour and politics as qualitative overspill. Colour can be viewed both as central and suppl...(展开全部)

This is a wide-ranging and stimulating introduction to the history and theory of visual culture from painting to the computer and television screen. It will prove indispensable to students of art and art history as well as students of cultural studies. Mirzoeff begins by defining what visual culture is, and explores how and why visual media - fine art, cinema, the Internet, adv...(展开全部)

NEOGEO: A VISUAL HISTORY For a brief few years in the early 1990s, the NEOGEO was the pinnacle of video gaming. An elite, exclusive console that didn't just emulate the arcade experience as so many 8 and 16- bit consoles tried to do it was the arcade experience, pixel for pixel on your TV at home. Born in the days before polygons, the NEOGEO was a staunchly 2D system that gave ...(展开全部)

杜朴（Robert L. Thorp），早期中国艺术领域的权威学者，华盛顿大学圣路易斯分校艺术史和考古系荣休教授，著述丰硕。杜朴博士除了在远东广泛游历和参加田野考察工作外，还合作策划了几个重要的展览，并受邀在多个以中国艺术收藏著称的美国博物馆做讲座。 文以诚 （Richard Ellis Vinograd），著名的中国画研究专家，1995 年起任斯坦福大学艺术和艺术史系主任。他是晚期中国（宋代至今）艺术领域备受尊崇的学者，著有《自我的界限：1600-1900 的中国肖像画》，在许多重要刊物上发表过文章和书评。文以诚博士经常受邀以演讲者、评审或研讨者的身份出席有关中国艺术与文化的会议和论坛。

杜朴（Robert L. Thorp），早期中国艺术领域的权威学者，华盛顿大学圣路易斯分校艺术史和考古系荣休教授，著述丰硕。杜朴博士除了在远东广泛游历和参加田野考察工作外，还合作策划了几个重要的展览，并受邀在多个以中国艺术收藏著称的美国博物馆做讲座。 文以诚 （Richard Ellis Vinograd），著名的中国画研究专家，1995 年起任斯坦福大学艺术和艺术史系主任。他是晚期中国（宋代至今）艺术领域备受尊崇的学者，著有《自我的界限：1600-1900 的中国肖像画》，在许多重要刊物上发表过文章和书评。文以诚博士经常受邀以演讲者、评审或研讨者的身份出席有关中国艺术与文化的会议和论坛。

安德鲁·格雷厄姆-狄克逊（Andrew Graham Dixon）是英语国家艺术电视节目的首席评论家和推荐人。他为BBC广播公司提供了6套里程碑式的系列艺术片，包括备受瞩目的《英国艺术史》《文艺复兴时代》《永恒的艺术》以及有关艺术和艺术家的许多个性化文献。20多年来他主持出版多个艺术专栏周刊，起初是《独立报 》，现在是《星期日电讯报》。他还撰写了许多书籍，题材涉及中世纪绘画、雕塑以及当代艺术。